Strand Of Oaks
Fri, April 7, 2017
Doors: 8:00 pm / Show: 9:00 pm
$10.00 - $14.00
This event is 18 and over
Strand of Oaks has partnered with Plus 1 so that $1 from every ticket sold will go to support Planned Parenthood and their work delivering vital reproductive health care, sex education, and information to millions of women, men, and young people in the US and worldwide.http://www.bowerysouth.com/event/1383642/
Showalter was on tour, walking home on a mild autumn night in Malmo, Sweden, when he first felt the weight of the personal crisis that would ignite him to write HEAL. "It was a culmination of pressure," Showalter recalls. "My marriage was suffering, I'd released a record I was disappointed in, I didn't like how I looked or acted...so I'd gone on tour, I was gone about two years! I didn't take time to think about failure, but I knew I was going deeper and deeper...I was thinking, I have this life, but it's not my life, I haven't done it right..."
When Showalter returned, he wrote 30 songs in three weeks, a process that proved difficult, but cathartic and at times invigorating. Previous Strand Of Oaks records were more skeletal, raw examples of folk-rooted Americana with occasional rock and electronic currents, that have now come to the fore. HEAL is a bold new beginning, with a thrilling full-tilt sound that draws on Showalter's love of '70s, '80s and '90s rock and pop, with the singer and guitarist playing the intense valedictory confessor.
Crucial to HEAL's sound was the man who Showalter chose to mix the record, the stellar alt-rock icon John Congleton. Showalter also re-connected with Ben Vehorn, synth expert and studio engineer extraordinaire, and drummer Steve Clements, who provides HEAL's thunderous, sinewy drive. Songs such as 'Shut In', 'Plymouth' and 'Woke Up To The Light' have a classic construction and mood, recalling '70s power-pop/ballads and the yearning ache of Big Star's late, great Chris Bell. Many of the songs on HEAL reveal an electronic undercarriage and towering drums that push the album's wired dynamic to its stretching point, especially on 'For Me', which expertly bridges the album's twin decades of influences. And if 'Goshen '97' recalls the molten energy of Dinosaur Jr, that actually is J Mascis on lead guitar. Despite the initials, the album's smouldering 7-minute epic 'JM' is not a Mascis tribute, but to the late Jason Molina, about having his music as comfort no matter how bad things get.
Which brings us to another crisis, this time much more serious and immediate. HEAL was scheduled for mixing on Dec. 26, 2013. Driving on the freeway Christmas Day, Showalter and his wife were involved in a car accident with a semi-truck, and were fortunate to walk away with their lives. Showalter suffered a, "pretty severe," head trauma, "which affected me much more than I realized at the time." Fearing delays, Showalter didn't let Congelton know about it, so the mixing session went ahead. "Being on the verge of death, and my thoughts being so closely tied to that, changed the album's direction," Showalter claims. "Together, we pushed it toward a much more cathartic sound that forces the listener to where I was at that exact moment, somewhere between almost dying and being absolutely fearless."
HEAL is not just a saviour for its creator, but for anyone who needs reminding of music's ability to heal, or just thrill. Showalter is taking out a full band to play, and finally, the kid who wanted to be a rock star at 15 might get his chance. Finally, he and Strand Of Oaks have much to celebrate.
The cardinal grand cross is one of the most difficult astrological alignments to achieve, and the Greek mythological figure Chiron represents wisdom and healing. The song "Cardinal Cross" illustrates these elements both lyrically and sonically, introducing us to the album with furious energy and clarity of vision. The addition of horns heightens the drama as the guitars swirl and Heather McEntires voice seems to summon what she seeks. Listen to and share the track now.
The North Carolina-based band Mount Moriahcomposed of McEntire (lead vocals, guitar), Jenks Miller (lead guitar, keys), and Casey Toll (bass, keys)-seem insistent to grow. If Mount Moriahs self-titled debut showed them standing with sea legs, determined to dream their way free from the dark crevices and corners of alt-country's stiff template; and if Miracle Temple, their second album, called that darkness by its Southern name and met it with fire; then their latest collection of songs, How to Dance, is a devotion to the cosmic light itself: moving towards it, moving into it, becoming it. Mount Moriah's third full-length sees them stretching further to explore their collective interest in the intangible fringes of fate and synchronicity. With How to Dance, the band presents new themes of symbolism, mysticism, alchemy, universality, sacred geometry. There is color, confidence, self-direction, joy. There is also darkness, but only to show you how it found its light.
Mount Moriah will have new tour dates to announce soon, but in the meantime, watch the lyric video for "Calvander" from their recently released 7-inch as well as live video from the band's recent sold-out hometown show.
200 41st Street S
Birmingham, AL, 35222